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2000
“Possibly pertinent paradigms (in making unpopular culture)”,
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Women’s Strategies in Media, Art and Theory, Edited
by Marina Grzinic (Ljubljana) in collaboration with Adele
Eisenstein, (Budapest/New York/Cologne), Festival of Computer
Arts 2000 at MKC, Ljubljanska 4 LINK
1997
“Ars Electronica,” in Afterimage, vol.24, no.
4 (Jan./Feb. 1997)
1993
Rotation I: Persistence of Vision,” N.A.P. TEXT, Vol.
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”A Brief Conversation between Ardele Lister and Pat
McCoy,” Felix: A Journal of Media Arts and Communication,
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“Contact Zones’ Video,” in Photography Quarterly
#65: The Cultured Tourist (The Center for Photography at Woodstock,
Woodstock, NY, 1995)
1991
”From Receiver to Remote Control: The Set,” Felix:
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1979
”Everybody Wants to Be the Girl,” Performance
by Artists, ed. p. Gale publ. Art Metropole, Toronto, pp.
237-249 (written with Bill Jones)
”Sexism in the Media: Another Round for Old Times’
Sake,” The Independent, published by the Foundation
for Independent Video and Film, New York, April, page 9.
1978
“Edge/Junction: Words in Art,” Criteria, Vancouver,
Vol. 4, No. 1, pp. 22-23.
1977
“Hewing the Wood and Drawing the Water-Women and Film
in a Colonized Canada”, Heresies, New York, May, pp.
103-105.
1976
“Women Artists Now,” Television script for 30
min. program Canadian Broadcasting Corp. -Provincial Educational
Media Centre, Co- Production, Vancouver
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Seemingly Elitist Demands for Culture...?,” Cinema Canada,
Toronto, No. 27, April, p. 44
1975
“With Words,” Criteria, Vancouver, Vol. 1 No.
4, p. 10
1974
Art Critic, The Province (daily), Vancouver, Canada |